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VERTICAL GRAFFITI: THE NEW AND DANGEROUS TREND SPREADING AROUND THE WORLD

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At the 10th edition of Waterford Walls in Ireland, English street artist Ed Hicks unveiled a striking untitled piece that captured the attention of festival-goers and locals alike. His mural, painted in one of the neighborhoods of Waterford, offers a visual and philosophical journey that resonates deeply with both the space it occupies and the viewers it engages. When I had the chance to speak with Hicks about his work, he shared insights that illuminated not only his process but also the layers of meaning embedded within the mural. For Hicks, painting is more than just applying colors to a wall—it is a narrative of transformation, both for the artist and the observer. Hicks’ creative process revolves around a guiding principle: painting “dark to light.” He begins with a dark vignette, building up through layers to gradually introduce light. This technique gives his work a sense of progression, a visual journey that echoes a movement from chaos to clarity. “You gotta have a system...
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