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VERTICAL GRAFFITI: THE NEW AND DANGEROUS TREND SPREADING AROUND THE WORLD

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Picture by Chop’em Down Films . It is one of the most dangerous ways you can do graffiti: hanging from buildings to carry out vertical interventions with visibility from far around. We can’t talk about this phenomenon without mentioning pixaçao movement as the origin, since it’s the international graffiti scene that has focused most on hitting buildings from top to bottom.  Today Subtu and Francisco are perfect examples of the craft, not only thanks to their pixaçao tags applied by abseiling, but also their production of more complex pieces. Today, this type of graffiti is gaining some proponents in Europe. To investigate the current development of vertical graffiti on the old continent and the different forms it takes, we’ve interviewed three of the most representative writers, from Berlin to Marseille and Valencia, namely Ikarus, Crapule and Wins. WINS AKA “VERTICAL DESTROYER” Nicknamed the vertical destroyer, the Valencian writer Wins could be considered a pioneer in t...
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THE GRAFFITI EGO IS NOT MY THING! | AN INTERVIEW WITH LEDANIA


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Ledania is an artist for our times. Her tag comes from her username of a social network from the 2000s called LatinChat. She’s mastered aerosol techniques and is as comfortable tagging in the street as she is painting huge commissions for Disney. She is a proud Latin woman who supports the LGBT community openly. She has his own cultural space in Bogotá, and manages all her work without an agent, manager or assistant. To people unfamiliar with Greek myths, Leda was a princess who became a Spartan queen, famous for her beautiful black hair and perfect skin. Ledania combines the spirit of this figure with her own personality to create an urban artist with global repercussion. After having the opportunity to meet Ledania personally in Barcelona, MTN World called up the artist once she was back in Bogotá. Most people won’t be aware that you come from the world of graffiti, letters and bombing. Was moving from letters to murals a gradual process for you? In fact, my dad painted mural...
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At the 10th edition of Waterford Walls in Ireland, English street artist Ed Hicks unveiled a striking untitled piece that captured the attention of festival-goers and locals alike. His mural, painted in one of the neighborhoods of Waterford, offers a visual and philosophical journey that resonates deeply with both the space it occupies and the viewers it engages. When I had the chance to speak with Hicks about his work, he shared insights that illuminated not only his process but also the layers of meaning embedded within the mural. For Hicks, painting is more than just applying colors to a wall—it is a narrative of transformation, both for the artist and the observer. Hicks’ creative process revolves around a guiding principle: painting “dark to light.” He begins with a dark vignette, building up through layers to gradually introduce light. This technique gives his work a sense of progression, a visual journey that echoes a movement from chaos to clarity. “You gotta have a system...
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