The pains that remain are the missing freedoms.

The pains that remain are the missing freedoms. submitted by /u/zzliberated
[link] [comments]

by /u/zzliberated via Graffiti

from Graffiti Bremen und Mehr ! Streetart auf Papier und Online https://ift.tt/2QBdx5E

Comments

Post a Comment

Popular posts from this blog

VERTICAL GRAFFITI: THE NEW AND DANGEROUS TREND SPREADING AROUND THE WORLD

Image
Picture by Chop’em Down Films . It is one of the most dangerous ways you can do graffiti: hanging from buildings to carry out vertical interventions with visibility from far around. We can’t talk about this phenomenon without mentioning pixaçao movement as the origin, since it’s the international graffiti scene that has focused most on hitting buildings from top to bottom.  Today Subtu and Francisco are perfect examples of the craft, not only thanks to their pixaçao tags applied by abseiling, but also their production of more complex pieces. Today, this type of graffiti is gaining some proponents in Europe. To investigate the current development of vertical graffiti on the old continent and the different forms it takes, we’ve interviewed three of the most representative writers, from Berlin to Marseille and Valencia, namely Ikarus, Crapule and Wins. WINS AKA “VERTICAL DESTROYER” Nicknamed the vertical destroyer, the Valencian writer Wins could be considered a pioneer in t...
Read more

The Artistic Vision of Ed Hick: A Journey from Darkness to Light

Image
At the 10th edition of Waterford Walls in Ireland, English street artist Ed Hicks unveiled a striking untitled piece that captured the attention of festival-goers and locals alike. His mural, painted in one of the neighborhoods of Waterford, offers a visual and philosophical journey that resonates deeply with both the space it occupies and the viewers it engages. When I had the chance to speak with Hicks about his work, he shared insights that illuminated not only his process but also the layers of meaning embedded within the mural. For Hicks, painting is more than just applying colors to a wall—it is a narrative of transformation, both for the artist and the observer. Hicks’ creative process revolves around a guiding principle: painting “dark to light.” He begins with a dark vignette, building up through layers to gradually introduce light. This technique gives his work a sense of progression, a visual journey that echoes a movement from chaos to clarity. “You gotta have a system...
Read more

Between Devastation and Indifference: A Christian Lebanese Reflection

As a Christian Lebanese, I cannot hide my disappointment—my own community has shown a staggering lack of empathy toward those suffering in the south. While Israeli bombs reduce villages, homes, and lives to rubble, many Christians in Beirut continue as if nothing has changed. Restaurants are full, nightlife is booming, and daily routines remain untouched, as though the war and the suffering of our southern neighbors were happening in another country altogether. This indifference is not just painful to witness—it is shameful. Since October 2023, when the Gaza war spilled into Lebanon, southern towns and villages have endured relentless Israeli aggression. Airstrikes have killed civilians, including children, while infrastructure—homes, hospitals, water systems, farmland—has been systematically destroyed. Over 100,000 people have been displaced, forced to leave their homes and seek shelter in Beirut and elsewhere, only to face high rent, rising living costs, and scarce work opportunitie...
Read more