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Mural Tribute to Palestinian Journalists Sparks Debate in London

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A tribute mural dedicated to Palestinian journalists in Ilford, East London, has stirred both admiration and controversy. The artwork, painted in March by three artists from the collective Creative Debuts , honors four Palestinian reporters and photographers— Mohamed Al Masri , Ali Jadallah , Hind Khoudary , and Abdulhakim Abu Riash . The scene shows these journalists standing amidst the rubble in Gaza, a recreation of a photograph taken by Suhail Nassar . The mural, titled “Heroes of Palestine,” is seen by some as a powerful statement on the importance of journalism in conflict zones, especially during the ongoing Israel-Gaza war. Alia Shaikh, the homeowner who commissioned the piece, expressed a deep sense of helplessness over the situation in Gaza. “I think it’s important for young children to have good role models,” she said. For her, the journalists are true heroes, risking their lives to ensure the world knows what is happening on the ground. “Without them, we’d have no idea wha

Where were you when the genocide happened?

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A hypothetical video set in the year 2040 imagines a world commemorating the 16th anniversary of the horrific genocide that took place on October 7, 2023, where thousands of Palestinians were brutally killed in an atrocity that shocked the world. The video envisions a global day of remembrance, where nations unite in grief, solidarity, and reflection over a tragedy that changed the course of history. In this imagined future, commemorations are held across the globe, from major cities to small towns. Memorial events bring together people of all walks of life, who gather to honor the victims and reflect on the lessons the world must learn from this dark chapter. Vigils are held in public squares, where the names of those lost are recited, and candles illuminate the night in their memory. Museums and educational institutions hold exhibits and talks to recount the atrocities of 2023, ensuring the stories are preserved for future generations. A striking moment in the video shows young ch

Shepard Fairey Unveils “Rise Above Earth Justice” Mural in London, Promoting Climate Awareness

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In alignment with the 79th session of the United Nations General Assembly’s call for greater international cooperation, the world-renowned American artist Shepard Fairey has created a thought-provoking mural in London . Known for his impactful works addressing social and environmental justice, Fairey’s latest creation aims to inspire conversation about climate change and environmental stewardship. His mural, titled “Rise Above Earth Justice,” stands as a visual call to action, reminding viewers of the urgent need for collective and individual responsibility in protecting the planet. Supported by the Ford Foundation and the U.S. Embassy in London, under the guidance of Ambassador Jane Hartley, Fairey’s mural is part of a broader initiative to amplify climate awareness. The Ford Foundation’s commitment to artist-driven projects that engage communities in meaningful ways is evident in this collaboration. Fairey’s mural exemplifies how art can transcend borders, uniting people across c

The Double Standard of “Self-Defense”: Whose Rights Are We Acknowledging?

The phrase “Israel has the right to defend itself” is one we frequently encounter in political discourse, especially in the context of the Israeli-Palestinian conflict. This assertion is often voiced by governments, international organizations, and media outlets following instances of violence or military actions. The sentiment implies a natural and unquestionable right for a nation to protect its citizens and sovereignty, which, on the surface, is universally acceptable. However, there’s a glaring omission in these conversations: we rarely hear similar proclamations about the right of Palestinians, Lebanese, Syrians, or Yemenis to defend themselves. This raises critical questions about whose rights are being recognized and why others are being disregarded. Are these people not worthy of the same acknowledgment? The idea of “self-defense” in international relations is enshrined in Article 51 of the United Nations Charter, which allows countries to defend themselves if attacked. In th

The Double Standard of “Self-Defense”: Whose Rights Are We Acknowledging?

The phrase “Israel has the right to defend itself” is one we frequently encounter in political discourse, especially in the context of the Israeli-Palestinian conflict. This assertion is often voiced by governments, international organizations, and media outlets following instances of violence or military actions. The sentiment implies a natural and unquestionable right for a nation to protect its citizens and sovereignty, which, on the surface, is universally acceptable. However, there’s a glaring omission in these conversations: we rarely hear similar proclamations about the right of Palestinians, Lebanese, Syrians, or Yemenis to defend themselves. This raises critical questions about whose rights are being recognized and why others are being disregarded. Are these people not worthy of the same acknowledgment? The idea of “self-defense” in international relations is enshrined in Article 51 of the United Nations Charter, which allows countries to defend themselves if attacked. In th

Apples, Clogs, and Pottery: The Parees Festival Celebrates Asturian Identity

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The Parees Festival , a renowned urban art event in Oviedo , Spain , has once again celebrated Asturian culture and heritage in its seventh edition. This year, three new murals have been added to the city’s streets, bringing the total number of works to 40. These murals, created by local, national, and international artists, highlight symbols deeply rooted in Asturias’ cultural identity—Faro pottery, the traditional clog known as the madreña, and the apple, a staple of the region’s agriculture. Organized by the Oviedo Municipal Foundation of Culture, the Parees Festival is more than just an exhibition of urban art. It stands as a tribute to Asturias’ rich history, encouraging an artistic dialogue between the community and the creators. This edition featured the artistic talents of María Peña (Mapecoo) and Marat ‘Morik’ Danilyan , whose works have brought traditional Asturian symbols to life. Eduard Crespo, the director of the festival, highlighted the significance of these murals, s

Oulu’s New Mural: A Tribute to Nature and Culture in Preparation for 2026

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As Oulu (Finland) prepares for its role as the European Capital of Culture in 2026, the city has been enriched with a stunning new mural that celebrates its natural beauty and cultural heritage. Created by renowned artist Fabio Petani , this mural has become a symbolic representation of Oulu’s landscape, its flora, and its deep-rooted connection to nature and tradition. More than just an aesthetic addition, the mural stands as a lasting tribute to the city’s past, present, and future. Selected from a competitive pool of 500 artists, Fabio Petani was tasked with capturing the essence of Oulu in a single piece of art. Central to his mural is the depiction of the Oulujoki River, a vital waterway that flows through the heart of the city. With its flowing currents, the river is portrayed as a life-giving force, symbolizing Oulu’s connection to nature, its historical significance, and its evolving identity. Petani’s vision of the river links the city’s past and future, while also reflectin